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Joe Zook began his career
in music as a musician in --
playing guitar in while he was in Elementary school and Junior
High.
A 16 year old employee at Robb's
Music in Boulder, Joe worked for store
credit and amassed as much gear as his hourly toil could afford him, and
also
learned to use the latest recording gear. He moved to at
age 19,
where he began playing guitar for the band House in Orbit.
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The group toured for a time, but
Joe's
heart was
in recording; after attending some studio classes and landing an internship
at a local studio,
he began plying his craft. On the reccomendation of several New York and
Los Angeles recording studios Joe had applied to, he  on a degree
from the
acclaimed University
of Miami, where he studied music theory, jazz, music
business, and digital audio. He was also a founding member of 'Cane
Records,
and
producer of two records for them. |
After graduating, Joe felt the
need to relocate once again. In 1996 he made his way to  ,
where he got a gig as a runner at well-regarded
Conway Studios.
Six months later, he began working as a second engineer at the legendary
studio Sunset
Sound and Sound Factory. It was
there that he assisted Tchad
Blake and Mitchell Froom on  ,
mixed records for Reel
Big Fish and The
Exies and engineered for David
Kahne, among other
producers. |
After four years at Sunset, he
met iconoclastic producer  .
The two struck up a professional relationship that took Joe through  , primarily as ProTools engineer-though he shared
engineering and recording duties on JJP productions. |
At the end of his stint in Puig's studio, Joe returned to free-lancing.
Since then he has mixed over 20 records and recorded and/or mixed dozens more including Modest Mouse, Mika, Liz Phair, Tricky, Brooke Fraser, Gavin DeGraw, The Plebz, Jim Boggia, Pink, Lindsay Lohan, Marc Broussard, Remy Zero, and Julian Coryell, to name a few.
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